{"id":28798,"date":"2019-03-12T11:23:33","date_gmt":"2019-03-12T16:23:33","guid":{"rendered":"https:\/\/www.spudnikpress.org\/?p=28798"},"modified":"2019-04-22T14:30:17","modified_gmt":"2019-04-22T19:30:17","slug":"member-interview-alexandra-antoine","status":"publish","type":"post","link":"https:\/\/www.spudnikpress.org\/member-interview-alexandra-antoine\/","title":{"rendered":"Member Interview: Alexandra Antoine"},"content":{"rendered":"<p><a href=\"http:\/\/www.alexandraantoine.com\/\">Alexandra Antoine<\/a> is a Haitian-American artist and educator based out of Chicago. She received a degree in art and art education from the School of the Art Institute of Chicago in 2014. Her work focuses on her Haitian-American identity, which she investigates through language, memory, portraiture, and archival practices. Recently, she has been incorporating Haitian sequins and beadwork into portraitures as a way of holding onto and continuing an art form that is native to her culture. We invited her to Spudnik Press to share more with us about herself and her work.<\/p>\n<p><b>M Kellman: Can you introduce your artistic practice? What kinds of things are you interested in?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Alexandra Antoine<\/strong>: I am primarily a printer and a painter. I love screen printing and lithography. Fell in love with lithography first time I did it. I\u2019ve always been a painter. While I was at the School of the Art Institute of Chicago (SAIC) I figured out my style of painting. Recently I\u2019ve been incorporating painting along with Haitian beadwork. I like seeing progression, from a beginning stage, middle stage, to the end. It keeps me excited.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I also work on two or three things at a time, so I can swap through different things and then I don\u2019t finish anything too fast. I\u2019ve noticed that in the past few years I really like slow processes.<\/span><\/p>\n<p><b>MK: Are you from Chicago originally?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> No, I\u2019m originally from Miami, stayed there till I was 11, then moved to Orlando. I have family all up and down the east coast of Florida. My parents are Haitian, so that\u2019s what lead my parents to go to Florida. I love Chicago! I finished undergrad at SAIC, only planned on staying a year, but then I started meeting other artists, I started teaching and chilling out with the students, and I\u2019m still here in 2019.<\/span><\/p>\n<p><b>MK: Do you think you\u2019d want to end up back in Miami or Orlando?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> You know, I thought about it. A lot of my inspiration comes from my culture\u2014when I\u2019m in Haiti, when I\u2019m around family, when I\u2019m listening to family talk. Now, Chicago has a Haitian community but it\u2019s not as tight as New York and Miami cuz those are two hubs where it\u2019s Little Haiti central. Sometimes it gets hard being here, which is why I\u2019ll go\u00a0see my family in\u00a0New York often\u2014it\u2019s the closest if I can\u2019t get to Florida. I need to be around the food, around the language\u2014something about being <\/span><i>in<\/i><span style=\"font-weight: 400;\"> it helps the gears move. <\/span><\/p>\n<p><b>MK: I notice you incorporate a lot of traditional practices into your work. Can you talk about how you<\/b>\u00a0<strong>learn<\/strong><b> these? <\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> I\u2019m really into working with other artisans. Outside of my studio I like to find artists who do things that I wanna learn and learn from them.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When I was in Haiti, one of my friends sat with me and taught me Haitian beadwork. And now I\u2019m working on a piece that\u2019s super big. It\u2019s taking weeks, but I love the process.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And back in 2010-2011 I went to Mali, West Africa, to learn traditional sculpture. It was just me and my teacher \u00a0from like 7am to like 8 at night, just hackin\u2019 at wood. I love this because it\u2019s a thing he inherits through his family line. There\u2019s not a syllabus. It\u2019s just \u201cWatch what I do, and you do it\u201d. I love learning like this. The classroom is nice but when you get this one on one, right next to somebody, I like this.<\/span><\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"390\" class=\"size-medium wp-image-28801 aligncenter\" src=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2335-edit-585x390.jpg\" alt=\"A portrait of a young black girl looking to the left. Traditional Haitian beadwork and sequins decorate the girl's hair.\" srcset=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2335-edit-585x390.jpg 585w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2335-edit-175x117.jpg 175w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2335-edit-768x512.jpg 768w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2335-edit-1200x800.jpg 1200w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2335-edit-760x507.jpg 760w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2335-edit-180x120.jpg 180w\" sizes=\"(max-width: 585px) 100vw, 585px\" \/>\n<p><b>MK: How do you decide which skills you want to learn?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> It\u2019s about reconnecting with my culture. I like to choose places within the African Diaspora in art forms that are valuable but a lot of young people aren\u2019t running to learn it. So like my teacher in Mali, if his granddaughter doesn\u2019t want to learn it and he passes, that\u2019s it. Or in Haiti, some of these skills I\u2019m seeing, a lot of older people are doing it, but when you\u2019re gone then who takes it over? I wanna keep these things that could potentially be lost because people migrate or move around.<\/span><\/p>\n<p><b>MK: In addition to your studio art degree, you have a degree in Art Education. Do you teach?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> Yes! I\u2019m all about sharing what you know, <\/span><i><span style=\"font-weight: 400;\">especially<\/span><\/i><span style=\"font-weight: 400;\"> when it comes to African American communities. I was teaching visual arts full time in Chicago Public Schools (CPS) when I got out of school. It\u2019s fun introducing the students to new skills, but what I found was interesting was, when I was in Art Ed and we would go visit schools, I think I maybe saw one black art teacher, if any. And the schools that were all black usually had a white art teacher. African Americans have\u00a0had\u00a0a huge contribution to art but\u00a0none of the students saw teaching art as a career path. I wanted to teach in an all black or predominantly black school because they gotta see that art is a career they can do. And of course when I walk in it was like, \u201c<\/span><i><span style=\"font-weight: 400;\">You\u2019re<\/span><\/i><span style=\"font-weight: 400;\"> the art teacher?\u201d.<\/span><\/p>\n<p><b>MK: So I imagine you\u2019re not very interested in the traditional Eurocentric art history and art education curriculum, right? <\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> Oh yeah, and that\u2019s where the struggle was. It seems like the way Art Ed is set up in CPS is, \u201cWe want you to teach X Y and Z\u201d. But that\u2019s not how artists work. All artists don\u2019t want to just do this one thing this certain way. I took art history in college and it was great learning about da Vinci and Europe and all them, but\u2026 We didn\u2019t touch Asia, South America, nothing. And I\u2019m not saying da Vinci and all are not great artists, but what about Faith Ringgold, or Carrie Mae Weems? What about them?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">So when I was teaching, I was like, \u201cLet\u2019s get down on the floor\u201d. If an artist was squatting when they do this work, let\u2019s all squat. If they were only using their hands, let\u2019s just use our hands, no paintbrushes, no pencils. Was it what the principal wanted me to teach? Not really. But this is how artists think about the world. We\u2019re not here just to pump out a perfect assignment.<\/span><\/p>\n<p><b>MK: I saw you did some work with Cook County Jail and a juvenile detention center. Does that fit your practice better than CPS?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> It does. Right now I\u2019m teaching visual arts with <a href=\"http:\/\/freewriteartsliteracy.org\">Free Write Arts & Literacy<\/a>. I came in with the same philosophy\u2014I\u2019m not gonna just teach the fundamentals of shading. There\u2019s so much that the students I work with have experienced, they all come from various communities in Chicago that have their own unique aspects. We can\u2019t just be talking about how to shade. We have to be talking about things that are relevant. And I tell my students, even if you don\u2019t become an artist, this is a way to look at the world differently instead of how you\u2019ve been told to look at the world.<\/span><\/p>\n<div id=\"attachment_28800\" style=\"width: 595px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-28800\" class=\"wp-image-28800 size-medium\" src=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-06-at-10.34.16-AM-585x245.png\" alt=\"A group of women gather in a secret back room in a bookstore to discuss their protest plans. A mural depicting famous African American women covers the walls of the room.\" width=\"585\" height=\"245\" srcset=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-06-at-10.34.16-AM-585x245.png 585w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-06-at-10.34.16-AM-175x73.png 175w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-06-at-10.34.16-AM-768x321.png 768w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-06-at-10.34.16-AM-1200x502.png 1200w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-06-at-10.34.16-AM-760x318.png 760w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-06-at-10.34.16-AM-180x75.png 180w\" sizes=\"(max-width: 585px) 100vw, 585px\" \/><p id=\"caption-attachment-28800\" class=\"wp-caption-text\">A screen capture from Chi-Raq (2015, dir. Spike Lee). Antoine’s mural can be seen on both walls. Copyright: Amazon Studios, 40 Acres and a Mule Filmworks.<\/p><\/div>\n<p><b>MK: So, a little fangirl moment<span style=\"font-weight: 400;\">\u2014<\/span><\/b><b><i>Chi-Raq<\/i><\/b><b>? You painted the mural in the bookstore scene with Angela Bassett. So cool! How did you get that job?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> In 2013 I was in a group show at <a href=\"https:\/\/romansusan.org\">Roman Susan gallery<\/a>. Then maybe 5, 6 months after the show\u2014I\u2019m teaching at CPS at this point\u2014I get an email from the art director of Spike Lee\u2019s new movie like \u201cCan you come down to the studio and talk about your work?\u201d. So I went down to the space and they told me the concept and gave me some subject matter and said, these are the women we want you to focus on painting. They had me on the set of the bookstore. I was there maybe a month or a couple weeks before they would transform it. The art director let me come on set the day they were shooting in my space. I told my friends\u2014where Angela Bassett takes them into a secret room, all of that is mine.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As an artist, you never know who\u2019s gonna see your work and what that\u2019s gonna lead to. My aim is not always, somebody needs to buy this. You just never know where somebody might see your work.<\/span><\/p>\n<p><b>MK: Did you like the public art aspect of working on the movie?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> Yes. It was fun doing that. It was a good experience. I do like it when my work can be accessible to more people than just the art world or just gallery openings and exhibitions. Especially since I work with young people, I want y\u2019all to see there are other ways of being artists. You don\u2019t just have to be in the MCA or the Art Institute. Those are great, but look at your whole community.<\/span><\/p>\n<p><b>MK: Do you have any other instances of showing your work outside a gallery setting?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> Yeah, similar to with <\/span><i><span style=\"font-weight: 400;\">Chi-Raq\u2014<\/span><\/i><span style=\"font-weight: 400;\">maybe early last year, someone from the Haitian Embassy contacted me and said, \u201cWe saw your work at <\/span><a href=\"http:\/\/ghettobiennale.org\/\"><span style=\"font-weight: 400;\">Ghetto Biennale<\/span><\/a><span style=\"font-weight: 400;\"> in Haiti and wanted to know if you were interested in a group show at the Embassy in Port-au-Prince as part of the Art in Embassies Program?\u201d Now mind you, I had the Art in Embassies photo on my vision board for the past two years, so when they called I was like, \u201cYou don\u2019t have to tell me twice!\u201d.<\/span> <span style=\"font-weight: 400;\">There\u2019s this idea that when people leave Haiti they don\u2019t come back. But I want people to see that us younger Haitian Americans, we always love coming back here.<\/span><\/p>\n<p><b>MK: Any projects on the horizon? Future directions?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA: <\/strong><\/span><span style=\"color: #565656;\">This summer I plan to go to Benin. Most <\/span><span style=\"color: #565656;\">Haitians came from Benin,<\/span> the Congo,\u00a0Togo, and some parts of Central Africa. There\u2019s an arts and cultural organization in Benin that works with young people, so this summer I\u2019m\u00a0going to work with them.<\/p>\n<p>In Haiti, people know we come from West Africa\u2014but, with the way enslavement happened, there\u00a0may be people, especially some of the younger people\u00a0in West Africa who may not understand how Haiti plays a part\u00a0in our shared history. I really wanna\u00a0build relationships with some young folks there,\u00a0make connections\u00a0and see what comes out of that.<\/p>\n<p><b>MK: Could you show me some of your work?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> <\/span><span style=\"font-weight: 400;\">A lot of the people in my work are people I know\u2014either family members, friends, people I met through\u00a0my travels, but we\u2019ve always had conversations. That\u2019s important for me because I\u2019m showing Haitian culture the way I see it, so I want it to be authentic. To me it\u2019s important to have that relationship, especially if you\u2019re gonna be showing somebody\u2019s image everywhere.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"846\" class=\"alignnone size-medium wp-image-28804\" src=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2342-edited-585x846.jpg\" alt=\"A print of a face in reds and oranges. The man has three lines scarred on each cheek.\" srcset=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2342-edited-585x846.jpg 585w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2342-edited-175x253.jpg 175w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2342-edited-768x1110.jpg 768w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2342-edited-1200x1735.jpg 1200w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2342-edited-760x1099.jpg 760w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2342-edited-180x260.jpg 180w\" sizes=\"(max-width: 585px) 100vw, 585px\" \/><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Language, symbols, nonverbal communication, that\u2019s real big in my work. For a while, I was really into scarification practices, because that\u2019s a way of identifying somebody, being a part of a community. When I was in West Africa, my teacher had these three lines\u2014that\u2019s the Bambara tribe. So I was into showing them with these prints<\/span><b>.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">This piece is looking at the architecture in Haiti. Whenever I go to Haiti I look at the tower work, the way the houses are structured, the window sections. The window is sculpted out of the cement\u2014all these different shapes. I find that really interesting because you don\u2019t see these a lot everywhere. This is a distinct style.<\/span><\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"758\" class=\"alignnone size-medium wp-image-28803\" src=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2338-edited-585x758.jpg\" alt=\"A lithograph print showing architecture in Haiti.\" srcset=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2338-edited-585x758.jpg 585w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2338-edited-175x227.jpg 175w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2338-edited-768x996.jpg 768w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2338-edited-1200x1556.jpg 1200w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2338-edited-760x985.jpg 760w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2338-edited-180x233.jpg 180w\" sizes=\"(max-width: 585px) 100vw, 585px\" \/>\n<p><b>MK: Do you have a favorite piece?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> I have to say this one, because it\u2019s all the elements I love in one. This piece is a lithograph. It\u2019s incorporating my face with a well known sculpture from Benin,\u00a0the Bronze Head of Queen Idia. I also tied in Haiti\u2014I put the mountains in there, I put the women holding the baskets, abstract, on the head, I put the architecture of the houses in there. I\u2019m always finding a way to layer in a little bit of Haitian culture.<\/span><\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"788\" class=\"alignnone size-medium wp-image-28802\" src=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2343-edited-585x788.jpg\" alt=\"A lithograph of a face made of abstract designs and details showing different aspects of Haitian culture.\" srcset=\"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2343-edited-585x788.jpg 585w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2343-edited-175x236.jpg 175w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2343-edited-768x1035.jpg 768w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2343-edited-1200x1617.jpg 1200w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2343-edited-760x1024.jpg 760w, https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2343-edited-180x243.jpg 180w\" sizes=\"(max-width: 585px) 100vw, 585px\" \/>\n<p><b>MK: Do you have any upcoming shows? If someone wanted to see more of your work, where should they go?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> I will be showing some new work at my friend\u2019s event on the 15th of March at Stage Two in Columbia. She has a collective called <a href=\"http:\/\/jovanlandry.com\/synergychi\">Synergy<\/a>, and they\u2019re doing an <a href=\"https:\/\/www.facebook.com\/events\/897717507286520\/\">album release party<\/a>. It\u2019s an all women hip hop album that she produced. I\u2019m excited about that because, again, I get to show work outside the gallery. The way people talk and the conversations you get to have are different when you\u2019re in different spaces.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And there\u2019s another show in New York at <a href=\"http:\/\/www.fluxfactory.org\/event\/youre-welcome\/\">Flux Factory<\/a>. One of my friends is doing a show for Women\u2019s History Month, for black and brown women. I love artists supporting each other. I\u2019m always down for that.<\/span><\/p>\n<p><b>MK: Is there anything you want to try that you haven\u2019t?<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>AA:<\/strong> I want to try letterpress, which surprisingly is the one printing technique I haven\u2019t learned. I love words. Why haven\u2019t I tried this? I visited <a href=\"http:\/\/purgatorypiepress.com\/\">Purgatory Pie Press<\/a>,\u00a0a letterpress studio in New York, that does artists\u2019 books, so I was like \u201ccollaboration?\u201d and <\/span>the owners<span style=\"font-weight: 400;\"> were all for it. I\u2019m really excited. I\u2019ve got a lot of directions, but they all connect in some way.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alexandra Antoine is a Haitian-American artist and educator based out of Chicago. She received a degree in art and art education from the School of the Art Institute of Chicago… <a class=\"excerpt-read-more\" href=\"https:\/\/www.spudnikpress.org\/member-interview-alexandra-antoine\/\" title=\"ReadMember Interview: Alexandra Antoine\">Read more »<\/a><\/p>\n","protected":false},"author":36,"featured_media":28944,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[201],"tags":[],"class_list":["post-28798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member-interviews"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.spudnikpress.org\/wp-content\/uploads\/2019\/03\/IMG_2344-585x370-1.jpg","_links":{"self":[{"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/posts\/28798"}],"collection":[{"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/comments?post=28798"}],"version-history":[{"count":15,"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/posts\/28798\/revisions"}],"predecessor-version":[{"id":28843,"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/posts\/28798\/revisions\/28843"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/media\/28944"}],"wp:attachment":[{"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/media?parent=28798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/categories?post=28798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.spudnikpress.org\/wp-json\/wp\/v2\/tags?post=28798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}