Posts Categorized: Process

May 19 | Intro to Block Printing (4 Weeks)

Relief of Block Printmaking is considered the oldest form of printmaking, appearing first as woodblock images in China. It is a graphic yet versatile process, capable of hardedge imagery as well as soft tonality. In relief, an image is carved in reverse into a block which is then inked and sent through a press. The tools are simple and approachable but the possibilities are expansive.

In these 4 weekly sessions, students will be equipped to plan, carve, and print in relief practices. Students will be guided through the best methods for planning and transferring their images utilizing subtractive techniques that exploit line, shape, contrast, and texture. In addition, they will learn how to mix and modify inks, handle paper, methods of registration, and how to finesse pressure on the press for the best results.

With the completion of this class, students will not only produce an edition of prints that reflect the skills built throughout this class but receive authorization in relief printing at Spudnik. Further printing in relief can be explored through our Open Studio or Keyholder programs.

May 22 | Screenprinting Refresher & Authorization (4 Hours)

This refresher & authorization workshop welcomes students with previous screenprinting experience who are feeling out-of-practice or fuzzy regarding the finer points of the process, or who have never printed at Spudnik before, and want familiarity with our facilities and offerings. Students should have already completed a one-day workshop or full class, although it need not have been at Spudnik. We also welcome printers that would like support working through a particularly complex project or reoccurring printing issue.

The class will review an assortment of skills such as selecting the best mesh count, applying the perfect coat of photo emulsion, troubleshooting and diagnosing exposure and printing issues, ink mixing, registration, and screen reclamation. Equally as importantly, we will address how to consider these technical factors and limitations when designing a project for printing.

During the workshops, each student will expose a screen, and work with peers to print a two-color image designed to hone nuanced printing skills. Students are welcome to bring specific questions about their next project.

To help build printing confidence at Open Studio sessions, students are invited to return within the week to put their freshly acquired knowledge to use. Through this workshop, students will not only brush up on old skills and become authorized to print at Spudnik, but are sure to walk away with new morsels of useful information regarding the art of screenprinting.

May 25 | Bookbinding 101 (4 Hours)

This workshop focuses on styles of bookbinding that are low-cost yet dynamic, and well suited for poetry chapbooks and portfolio books. Students will learn how to choose materials and create simple book structures that best highlight the content within their book.

The lessons will address the logistics of organizing poetry or artwork into a book form, explore the book as a vessel for information, and how material choices can inform how the book is read. While the workshop will create blank books, each style of binding will begin with standard 8.5” x 11” paper to allow your poetry or artistic content to be easily printed from a common inkjet or laser printer. 

Students will complete four sample books: Two pamphlet stitch varieties, a perfect bound book, and a more elaborate Japanese stab binding.

In addition to learning hand skills, the class will discuss the history of chapbooks, their role in publishing over time, and ways to share and sell chapbooks. If you have writing or images you would like to promote, this is a great workshop to jump start your self-publishing!

May 23 | Intro to Screenprinting (4 Weeks)

Screenprinting is an art form known for its bold graphics and versatility. It is an approachable art form, yet has many facets to explore and master. This foundational screenprinting class introduces all the basic skills to get someone new to the process up and running, creating art on both paper and fabric. 

A selections of projects will offer students the opportunity to produce prints from drawings, digital designs, and found or photographic imagery. Students will become familiar with the full process from selecting the right screen for the job, to dark room exposure, to mixing inks, to printing, to reclaiming the screens. With support from an experienced printer, students will practice printing and (equally important) troubleshooting.

By the end of this class, students will know their way around the print shop and be authorized to continue printing independently at Spudnik Press  through our Open Studio program.

June 1 | Risography 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 60 days. The Open Studio coupon is worth 4 hours of studio time (valued at $35) to work independently and continue what you have learned from the class.