Posts Categorized: Past

Roots

Featured Artists:

Yasaman Moussavi

Dates:

3/9/2018 – 4/21/2018

Location:

The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk:

Friday, March 9, 2018
6:00 – 9:00pm

Press Release:

Spudnik Press Cooperative is pleased to present Roots, a solo exhibition featuring new work by artist Yasaman Moussavi.

The visual content of the Moussavi’s work for this exhibition is personal and intimate, consisting of etchings that depict creatures entangled in a natural space. As she explores the ties between individual and environment, she begins to unearth emotions, associations, and memories that one attaches to physical spaces to discover the abiding bond between nature and us.

For Moussavi, etching is a dance of covering and uncovering, building and destroying whatever she imagines onto her copper plates. In this sense, printmaking bridges her inner and external worlds. Moussavi also crafts an intimate relationship between her medium of choice and the visual message she wants to communicate by making her own paper. Upon layering and reconstructing handmade papers, she fuses the intricate forms found in her etchings with dynamic natural forms.

At a time in history when we suffer from great divisive rhetoric and disconnect in and with politics, the environment and each other, Moussavi dreams of growing roots and connecting with the self, nature, and people.

Yasaman Moussavi was born in Tehran, Iran and received her BFA in painting from the Al-Zahra University of Tehran and an MA in Art Studies from The University of Tehran. She also holds an MFA with an emphasis in painting and printmaking from Texas Tech University, where she explored and developed her skills in papermaking, printmaking and installation art. Moussavi has participated in many national and international exhibitions, including the Juried International Exhibition of Contemporary Art, Irving Art center, TX, A.I.R Gallery Biennial, Brooklyn, NY, “Norouzaneh” International Mini Print Annual Exhibition at Sagene Kunstsmie, Oslo, Spazio 74/b Milan and Chicago.

Image: Yasaman Moussavi, Breathe on me, 2017.

Chicago: A Cross-Town Exchange

Featured Artists:

Victoria Marie Barquin | Chicago Printers Guild, Chicago Printmakers Collaborative
Kai Boogert
Liz Born | Hoofprint
Matthew Bozik | Hoofprint, Chicago Printers Guild
Tiffany Breyne | Spudnik Press Cooperative
Nick Capozzoli | FugScreens Studios
John Cizmar | Chicago Printers Guild
Elke Claus | Evil Scientist
Eric Cortez | The Printstitute at Harold Washington College
Expressions Graphics
Liana Faletto
| Spudnik Press Cooperative, Chicago Printers Guild
Andrew Ghrist | A R Ghrist Prints
Megan Hinds | Chicago Printmakers Collaborative
Gabe Hoare | Hoofprint
Carolina Martinez | Spudnik Press Cooperative
Michelle McCoy | Chicago Printmakers Collaborative
Epifanio Monarrez | Instituto Gráfico de Chicago
Alexandrea Pataky | Chicago Printers Guild
Richard Repasky | The Printstitute at Harold Washington College
Nicolette Ross | Spudnik Press Cooperative, Double Trip Press
Robert Scheffler | Chicago Printers Guild, Chicago Printmakers Collaborative
Emily Shopp | Spudnik Press Cooperative
Randi Stella | Spudnik Press Cooperative
Hannah R. Werner | Northeastern Illinois University Printmaking Studio
Connie Wolfe | Chicago Printers Guild, Mid America Print Council, Southeastern Graphics Council International
Tara Zanzig | Tararchy Screenprinting, Fugscreens Studios, Spudnik Press Cooperative

Dates:

1/19/2018 – 3/3/2018

Location:

The Annex at Spudnik Press

Corresponding Events:

Chicago: A Cross-Town Exchange 
Opening Reception & Artist Talk
Friday, January 19, 2018
6:00 – 9:00 p.m.

Press Release:

Throughout Chicago’s history, printmakers played an active role in the community as publishers and distributors. Local papers were printed and distributed as early as 1833. With easy access to freight lines, numerous plants, and a growing workforce, Chicago rose to become a printing giant during the late 19th Century. At a time ruled by commercial printing, many printers and publishers relocated south of the Loop into Printers Row, also known as Printing House Row, allowing them to expand into larger facilities and bringing them closer to the Dearborn Street train station. By 1960, there were 2,100 printing establishments in the city, including the world’s three largest at the time.

But as use of automation and digital technology changed the face of commercial printing, a new group of Chicago printers emerged. Independent, artist-run shops, including Landfall Press and Plucked Chicken Press opened in the 1970s. Since then, and no longer centralized in Printers Row, many print shops sprouted throughout the city and continue to engage the community through the creation of art that embraces socially engaged themes and/or by addressing a wide range of commercial needs.

Chicago: A Cross-Town Exchange is an exhibition that features a print portfolio of the same name, bringing together 26 artists/collectives from numerous print shops and studios across the city and surrounding neighborhoods. While this is a small sampling of the city’s thriving printmaking community, it is demonstrative of Chicago’s collaborative spirit and the many spaces that allow for the creation of printed work. This portfolio of prints includes multiple print processes such as screenprinting, relief, intaglio, and more.

Chicago: A Cross-Town Exchange will be on view at The Annex at Spudnik Press, 1821 W. Hubbard St., Suite 302, Chicago, IL 60622, starting January 19, 2018 through March 3, 2018.

Image: Expressions Graphics, “Brownstone,” 2017.

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Run, Run, Run | Annual Member Exhibition

Featured Artists:

Vice Versa Press | Julia Arredondo
Moon Bang
Molly Berkson
Jennifer Cronin
Erick Jurado
Alex Kostiw
David Krzeminski
Carrie Lingscheit
Dutes Miller
Yasaman Moussavi
Catherine Norcott
Elise Parisian
Jake Saunders
Parita Shah
Current Location Press | Raychel Steinbach Lauen
Don Widmer
Tara Zanzig

Dates:

10/20/2017 – 12/16/2017

Location:

The Annex at Spudnik Press

Corresponding Events:

Print Factory Art Party Annual Benefit
Low Res, 1821 W. Hubbard St.
Saturday, October 7, 2017
6:00 – 9:00 p.m.
9:30 p.m. After Party

Hubbard Street Lofts Annual Open House
Friday, October 20, 2017
6:00 – 10:00 p.m.

Run, Run, Run: Reception & Artist Talk
Friday, October 20, 2017
6:00 – 10:00 p.m.
6:30 p.m. Artist Talk

Exhibition Description:

Spudnik Press is pleased to present Run, Run, Run, our Annual Member Exhibition. The exhibition will have an opening reception on Friday, October 20, from 6 – 9 p.m. at The Annex at Spudnik Press, located at 1821 W. Hubbard St., Suite 302, Chicago, IL 60622.

Inspired by the theme of this year’s 2017 Annual Benefit: Print Factory Art Party, our 2017 Exhibitions Committee curated a body of work exemplary of the range of media and creative output active in our studio twenty-four hours a day, seven days a week. Run, Run, Run pays tribute to the many artists, designers, and creatives who have partaken in our decade of community arts programming and continue to run with us.

The exhibition will be on view October 20 – December 16, 2017. Those attending the 2017 Annual Benefit will have an opportunity to get a first look of the exhibition prior to the public reception on October 20th.

Cassie Tompkins: A Revision of Everyday Life

Featured Artist:

Cassie Tompkins

Dates:

8/11/2017 – 9/30/2017

Location:

The Annex at Spudnik Press

Corresponding Events:

A Revision of Everyday Life
Opening Reception & Exhibition Talk
Friday, August 11th, 2017
6:00 p.m. – 10:00 p.m. 

Press Release:

A Revision of Everyday Life, is a series of screen-printed and dyed fabric monoprints that capture the splendor of quotidian life. Through an expression of geometric and abstract shapes, these prints explore the emotional experience of color, tensions between opposites, and the nature of daily life. Tompkins’ technique merges industrial (screen-printing) and traditional (dyeing) craft to amplify the space between the exquisite and the drab. She strives to capture her wonder and appreciation of natural and manmade phenomena through material explorations. The flowing drape of the wall-mounted cotton panels, inclusion of design elements, and the imprecision of the processes speaks to her improvisational philosophy of making—work makes work—each step informs the next, each panel inspires the following, and if there is a plan it’s, on the whole, guesswork. The resultant imagery is bright and graphic, inviting the viewer to take another look at their own surroundings— a revision of everyday life —through material and designed transformations.

Image: “Purple and Orange Gradient,” Cassie Tompkins. Cotton, plain weave; shibori dyed, screen printed. 2017.

Where have we gone, before we go

A Themed Portfolio

Curator:

Jennifer Scheuer  

Featured Artists:

Anne Beidler, John Bergmeier, Ed Bernstein, Kaitlyn Collyer, Benjy Davies, Pamela Drix, Fred Hagstrom, Raluca Iancu, Eleanor Jensen, Kathryn Maxwell, Katherine Miller, Greg Page, Minna Resnick, Mary Robinson, Nick Ruth, Carrie ScangaJennifer Scheuer, Hannah Skoonberg, Taro Takizawa, Ruth Weisberg

Dates:

6/16/2017 – 8/5/2017

Location:

The Annex at Spudnik Press

Corresponding Events:

Where have we gone, before we go
Opening Reception & Exhibition Talk
Friday, June 16th, 2017
6:00 p.m. – 8:00 p.m. 

Press Release:

Where we have been, before we go features twenty prints that investigate the art making process as a progressive and ever-evolving exercise. Twenty artists were each asked to produce new work in the form of a diptych that reflects their own current artistic practice in contrast with their earlier artistic aesthetics, themes or processes. How does self-perception affect artistic creation?

This exhibition brings together a diverse group of artists from across the country, many exhibiting for the first time in Chicago. Participants represent a broad range of artistic approaches and careers. This portfolio of prints utilizes many print processes including screenprinting, lithography, relief, photographic processes, and more.

In addition to the flat prints on paper, the portfolio incorporates a decisive book arts component. Each portfolio is packaged with book binding supplies and instructions. Participating artist is charged with manipulating the prints to a unique drum leaf book, each deciding how they prefer to sequence the images. This process highlights the role of personal interpretation, narration, and perspective. The “Where we have been, before we go” exhibition features just one solution of how the book can be assembled.

The portfolio was organized in conjunction with the 2017 Southern Graphics International Conference in Atlanta, Georgia. The drum leaf book will be donated to Cornell Universities’ Fine Arts Library as a book available for checkout through their new book arts collection program.

Image by Fred Hagstrom

I’m calling from a great distance

Featured Artists:

Alex Kostiw

Dates:

4/7/2017 – 4/29/2017

Location:

The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk:

Friday, March 3, 2017
6:00-9:00pm

Press Release:

Spudnik Press Cooperative presents new work by Chicago-based artist Alex Kostiw. She is an artist and graphic designer based in Chicago. Her practice combines short stories and experimental comics with book design and printmaking. She is interested in themes of fragmentation, communication, and incomprehensibility. Using interactive book formats and minimal visual and textual detail, she crafts loose narratives that reveal something more felt than understood. Her work offers readers traces of subjects that remain largely inaccessible. Kostiw received an M.F.A. in visual communication design from the School of the Art Institute of Chicago and a B.A. in English literature from the University of Chicago.

The exhibition, titled “I’m calling from a great distance,” through a variety of miniature and postcard-sized prints, large-scale artworks, and an artist’s book of indecipherable texts, relates the communications between a lighthouse keeper and an interplanetary explorer. The work explores the tension between physical distance and the closeness that technology can create; memory; and the scale of humanity. The prints are divided into two series. One details a sequence of a woman turning around. The other depicts planets and abstracted landscapes. The gallery becomes as a space for this two-part story to unfold.

During recent travel, Kostiw’s interest in immeasurable spaces shifted from metaphorical interior or mental spaces to physical ones. She was drawn to parallels between explorers in history who crossed oceans and the speculative exploration of other planets. She finds intrigue in the gut-wrenching contrast in size between the ocean or space and the individual, as well as in exploration as an expression of, and cause for, longing.

Throughout her practice, Kostiw’s interest is as much in what a story presents as in what it does not—in what is not said or done, as in what is. Oceans and outer space are settings that sharply highlight the inconsequentiality of humankind, but also our need for intimacy and our yearning for connection at the heart of the story.

Paper to Plastic

Featured Artists:

Viraj Mithani

Dates:

2/3/17 – 2/25/17

Location:

The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk:

Friday, February 3, 2017
6:00-9:00pm

Press Release:

Spudnik Press Cooperative presents new work by Chicago-based artist Viraj Mithani.  The exhibition, titled “Paper to Plastic” explores time and contemporary printmaking. It investigates the relationship between the hierarchy of print, painting and drawing by challenging the established norms of the mediums. By combining painting techniques with both traditional printing processes and digital prints, Paper to Plastic questions the historical segregation between the mediums. It further explores the fading practice of traditional printmaking processes and sustainable way of living with the oversaturation of digital technology. Responding to these phenomena, the constructed forms and images capture the permanence of constant change, and evoke feelings of inevitable destruction.

I Will Love You Forever/Hans + Eva Rausing 4/1/2012/7/10/2012

Featured Artists:

Jake Saunders

Dates:

3/3/2017 – 3/25/2017

Location:

The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk:

Friday, March 3, 2017
6:00-9:00pm

Press Release:

Spudnik Press Cooperative presents new work by Chicago-based artist Jake Saunders.  The exhibition, titled “I Will Love You Forever/Hans + Eva Rausing 4/1/12-7/10/12” is a body of work by Chicago artist, Jake Saunders. In this series of etchings, the artist employs events surrounding a three month period in the relationship between Eva and Hans Kristian Rausing. These works mine for aesthetic tropes and symbolism while occupying landscapes reminiscent of European Romantic Era artists such as Fuseli, Gericault and Goya. Amalgamating these events and symbols with those of his own life, Jake conveys the deeply personal through the veil the Rausings. Merging the idiosyncratic with that of the publicly known, Jake contemplates love, anxiety, loss and the malleability of narrative.

Homecoming | Annual Member Exhibition

Featured Artists:

Vice Versa Press | Julia Arredondo
Josh Epstein
Margaret Hitch
Dana M Johnson
Erick Jurado
Logan Kruidenier
Viraj Mithani
Catherine Norcott
Nicolette Ross
Current Location Press | Raychel Steinbach Lauen
Jake Saunders
Matthew Wead
Tara Zanzig

Dates:

10/14/2016 – 11/16/2016

Location:

The Annex @ Spudnik Press

Corresponding Events:

Hubbard Street Lofts Annual Open House
Friday, October 14, 2016
6:00 – 10:00 p.m.

Homecoming: Closing Reception & Artist Talk
Wednesday, November 16, 2016
7:00-9:00pm

Press Release:

Let’s hear it for the home team! At Spudnik Press, this fall Homecoming highlights recent work by our very own varsity team: 2016 Members!

Whether they rally for relief, shout for screen printing, get loud for letterpress, idolize intaglio, or revel in riso,  Spudnik Press is a second home for printmakers from all corners of Chicago.  Year ‘round, hundreds of artists come to Spudnik Press for space to grow their practice and produce fine art prints.  Work produced here goes back into the community, to activate and inspire.  

Each fall, Spudnik Press welcomes back a selection of artwork made right here for our Member Exhibition.  Representing the diverse themes and media active in our studio, Homecoming highlights the exceptional work being created by our Members day-in and day-out.  It opens space for dialogue between images, and between people: our members, alumni, and guests.  Just steps away from the presses where they were made, these prints showcase the processes and prodigies of Spudnik Press.      

Come celebrate our supportive, vibrant community at events including an Open House, a Print Sale, and a Closing Party.  Plus, for the nostalgic, a self-serve photo booth (complete with printerly props) invites Homecoming guests to make memories that will last a lifetime!

Populace Mechanics

Featured Artists:

Kim Morski

Dates:

11/19/2016 – 12/31/2016

Location:

The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk:

Saturday, November 19, 2016
7:00-10:00pm

Press Release:

Spudnik Press Cooperative presents new work by Denver-based artist Kim Morski.  The exhibition, titled “Populace Mechanics” will feature prints, artist books and handmade objects that explore the themes of secrecy, privacy, and the compartmentalization of information in covert U.S. military and scientific operations.

In 2013, Morski learned about a series of secret tests conducted in St. Louis, Missouri shortly after WWII in which the U.S. Army worked with scientists to spray residential areas with zinc cadmium sulfide. Since then, her artwork has responded to simliar little-known histories as well as broadly addressing the underlying themes of willful deception and complicit action.

Doubling and duality is a central visual and conceptual device throughout all of the work. In Populace Mechanics, doubles occur in the form of repeated symbols and motifs, divided compositions, as well as text or imagery with inferred double meaning.

In several prints, insidious clouds billow in the background of isolated figures engaged in various kinds of work. A looming planet-like orb in one print echoes the crosshairs of a large, white circled “X” from another. Bricks, which appear in 2D and 3D form, specifically refer to secret military testing done in St. Louis, but they also represent a psychological burden. While the narrative within the artwork refers to specific people and events, it is intentionally abstracted and symbolic, allowing for multiple levels of interpretation.

Download the Press Release

Rules, Tools, and Fools

Artists respond to the Whole Earth Catalog with various media and teach-ins.

Featured Artists:

Chicago-based artists ACT Collective, Alberto Aguilar, Jesse Malmed, Jaclyn Jacunski, Jason Pallas, Ryan Thompson, Hui-min Tsen, and national artists Sarah Hotchkiss (San Francisco), Jen Smoose(Seattle), and Leah Wolff (New York).

Dates:

8/12/2016 – 9/24/2016

Location:

The Annex @ Spudnik Press

Corresponding Events:

Forthcoming; As part of the opening reception, a short artist talk will feature many of the participating artists discussing their practice and contributions to the exhibition and their reflections of the Whole Earth Catalog. There will also be additional programming associated with the exhibition, including a series of teach-ins with community partners at Spudnik.  All events are free and open to the public.  

Opening Reception:

Friday, August 12, 2016
6:00-9:00pm

Media Coverage:

Not Another Exhibition Catalog | Newcity Art

Press Release:

Spudnik Press Cooperative presents “Rules, Tools, and Fools,” featuring Chicago-based artists ACT Collective, Alberto Aguilar, Jesse Malmed, Jaclyn Jacunski, Jason Pallas, Ryan Thompson, Hui-min Tsen, and national artists Sarah Hotchkiss (San Francisco), Jen Smoose(Seattle), and Leah Wolff (New York). This exhibition will feature the artists’ various responses to a key piece of printmedia – the Whole Earth Catalog.

Whole Earth Catalog is a counter-cultural touchstone that presaged many of today’s artistic and social modes of engagement. Rules, Tools, and Fools serves as a vehicle for artists to be provoked by and respond to the Whole Earth Catalog using a range of materials and conceptual strategies. The exhibiting artists all have a relationship with at least one of the themes explicitly embedded within the Catalog–alternative education, off-the-grid living, self-sufficiency, do-it-yourself culture, ecology, utopian ideals, communal action, holism, and access to tools.  All of the artists are crafting new responses and activities to the Catalog for the exhibition.

The show is presented in The Annex, an educational and exhibition space within the non-profit printmaking studio, Spudnik Press Cooperative. The show is not only a response to all that the Whole Earth Catalog embodies, but is a visual manifestation of the role that Spudnik Press plays in the Chicago ecosystem.

The organization of Rules, Tools, and Fools mimics the strategies that drive Spudnik Press as a collectively managed and cooperatively run printshop.  The progressive ethics used to bring the artists together and create programming mirror the spirit of the Whole Earth Catalog.  This equitable effort puts trust in artists’ voices to shape how the show manifests.  Rather than a nostalgic revisiting of a bygone era, the show offers poetic and practical solutions from our contemporary relationship to the Whole Earth’s problems.

Stay hungry, stay foolish.

The Rules, Tools, and Fools Reading Library

The artists and exhibition organizers have collaborated to compile a selection of books and related ephemera to augment the exhibition with a reading library. This reading area, currently on view at Spudnik and continuing  throughout the exhibition, serves as a public resource for deeper investigations of the source material and other scholarly works.

Rules, Tools, and Fools is organized by participating artists Jaclyn Jacunski and Jason Pallas in collaboration with Angee Lennard, Founder and Director of Spudnik Press.

Bios:

Jaclyn Jacunski (jaclynjacunski.com) is a Chicago-based artist and a current Bolt Resident at the Chicago Artist Coalition. Her works takes on various formats from printmaking, installation and sculpture which are tied around themes of community and its boundaries.  She has M.F.A. from the School of the Art Institute of Chicago (SAIC) and B.F. A. from the University of Wisconsin, Madison and has taught at SAIC and Harrington College of. She worked for many years as an assistant to the master printers at Tandem Press in Madison, WI along with local artists/professors Joan Livingstone, Michael Miller, Jeanine Coupe Ryding and Mary Jane Jacob. Her artwork draws from protests and acts of resistance in local communities and how one discovers a more equitable, interesting life. Currently, she thinks about how these things manifest in signs in the landscape, and media, while paying attention to how an individual’s voice is revealed out in the world in relation to mass culture and powerful systems.

Jason Pallas (jthomaspallas.com) received his MFA in Contemporary Art Theory and Practice from the University of Chicago.  His studies focused on the dialectics of abstraction/representation, authenticity/appropriation, complicity/political activity, and ethics/aesthetics.  He earned BA degrees in Studio Art/Art History and English from Rice University with a thesis focused on contemporary queer drama, and has also studied at NYU’s Tisch School of the Arts and the European College of Liberal Arts (Berlin). His work has been exhibited in Chicago and at venues throughout the country, such as Arthouse at the Jones Center (Austin), Urban Institute for Contemporary Art (Grand Rapids), Truman State University Art Gallery (Missouri), Arizona State University, and the Indianapolis Art Center.  He works as the Manager of Community Engagement and Arts Learning at the Smart Museum of Art at the University of Chicago, as well as teaching and consulting at the Museum of Contemporary Arts Chicago and the Associated Colleges of the Midwest.  His work sits at the intersection of the personal, the popular, and the political, and his driving concerns are community empowerment projects, pedagogical theory, and copyright issues.  

Angee Lennard is an artist, art administrator, and teaching artist. As Founder and Executive Director of Spudnik Press Cooperative in Chicago, Angee oversees a range of community-based arts programming including open studio sessions, classes, a residency program, publishing and collaborative projects, youth programming, and exhibitions. As a teaching artist through Marwen and Spudnik, she develops curriculum addressing print media, community projects, and illustration. Her own artistic practices combine fine art printmaking and freelance illustration. She holds a BFA from SAIC.

Temporal Tantrum

Featured Artists:

Heather Anderson, Margaret Hitch, Dana Johnson, Jeremy Lundquist, Margaret McGill, Angelika Piwowarczyk, Ashley ShaulStan Shellabarger, Randi Stella, Mario Valdivia, Tara Zanzig

Dates:

6/17/2016 – 7/30/2016

Location:

The Annex @ Spudnik Press

Corresponding Events:

Gallery Talk

Friday, June 17, 2016
6:00 p.m.

Opening Reception:

Friday, June 17, 2016
6:00-9:00pm

Press Release:

The passage of time is a universal yet highly subjective experience that can be measured in countless ways. From time travel theory, to poaching an egg, to sleeping, all have vast temporal implications. In art, time is often addressed through the medium of film, but how does one confront it in a static medium such as printmaking? Temporal Tantrum examines the concept of time and how time is perceived.

The exhibition features a print portfolio of the same name that include new artworks by ten Chicago artists. Each printmaker has examined the universal, yet highly subjective, experience that is the passage of time. Dana Johnson’s illustrative print depicts a missed opportunity, waiting in anticipation, and the let down or frustration of this experience through the typical urban experience of just missing a bus. Other contributions utilize time as a material in the art-making process. Stan Shellabarger began his print by repetitiously walking on a wood plank. Over time, his footprints left grooves worn into the wood. Through the process of inking then printing from this block of wood, Shellabarger was able to create a record of both this activity and a discrete unit of time.

In addition to the print portfolio, the exhibition includes a series of etching by Jeremy Lundquist, Notice – Closed. Using only a single copper plate to create his entire body of work, the plate itself has been transformed into a physical representation of memory. The prints created from that plate are a documentation of memory as an active entity. Through depicting fragments of historically significant landmarks, Lundquist calls attention to how remembrance evolves, and previously significant events become obfuscated, buried, or re-contextualized across time. Calling attention to the fickleness of memory and our susceptibility to the present and its affect on our perceptions of the past, Lundquist’s 21 prints will not simultaneously be on view. Instead, each of the 21 states of Notice – Closed will only be displayed for a limited time. Every few days, newer states of the print will replace old.